Where did Modernism come from? Did it spring from the alienation engendered by the nineteenth century? Or did it spring instead from — as Hannah Sullivan argues in her new book, The Work of Revision — the typewriter?
“Our children, at least in this country, with no tales of war to tell; only music and clothes. Infuriating and a blessing for our parents, who had experienced the abyss staring back at them. I suppose their memories must have hung around their necks like stinking albatrosses, only for their children to turn out themselves to be an abyss gazing back at the next generation. Is it catching? Whose 1950s was I living?” This installment of Jenny Diski’s memoir from the London Review of Books is not to be missed.
The New York Times recently asked Jennifer Szalai and Mohsin Hamid why there isn't a Great American Novel written by a woman? Both writers concluded that there is no such thing as the Great American Novel. "But if the idea of the Great American Novel is blinding us to exquisite fiction written by women, then perhaps its harm is exceeding its usefulness," Hamid wrote. We think that's a bit of a cop out. But a few women showed up on our list of the Greatest American Novels.
Who knew? Here's a handy infographic from Electric Literature that highlights seventeen films you probably didn't know were based off of books.
The King’s Speech is the first film to portray my speech defect realistically, says novelist David Mitchell.
Recommended Reading: Laura Gianino at The Rumpus on seeing The Boss, Bruce Springsteen: "It felt silly to me, as a Springsteen fan of approximately four hours, to tell Keith that I felt Bruce understood me, too, but I realized somewhere in the middle of the show that Bruce was the same age when writing those songs as Keith and I were as we listened. Maybe I was just caught up in the moment. But if that were true, so was everyone."