Recommended Reading: This excerpt from Brian Warfield’s forthcoming novella Bridges No Longer Span These Waters.
“Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor ‘useful.’ He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive.” Every time James Wood publishes a big profile in The New Yorker, it’s worth a read; this week’s essay on the “secular psalmist” and poet Yehuda Amichai is no different.
“My wife likes to drive. I like to read aloud. So, she takes me places, and I take her places. It’s a match made in heaven — or at least in a Honda.” In honor of World Read Aloud Day, book critic Ron Charles writes about his love of reading out loud for the Washington Post. Pair with: an essay about the importance of reading aloud as adults.
Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. “The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be,” he writes on his website.