It was probably inevitable that Rap Genius would spawn Poetry Genius, but it was not so inevitable that Junot Díaz would make an appearance on the latter. On Saturday, Díaz annotated a number of passages from his own The Brief Wondrous Life of Oscar Wao, including a footnote where he says he went “buckwild.”
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
“Crossover words are a tremendous testament to our awesome ability to shape the language as we use it. To master our fears. To take our terror and use it to build something terrific.” – Arika Okrent writes for The Week about irony, slang and the way language changes.
Don’t bother looking for that book you need, a robot will do it for you. Will browsing disappear as robots take over libraries?Mad Max Perkins, “currently a senior executive for a major New York publisher,” has entered the world of blogs. Who is this masked man?Moleskine, maker of the world’s greatest notebooks, has added the Story Board Notebook to its ever expanding line of notebook products. “Advertising creatives, graphic designers, filmmakers, and cartoonists” rejoice!I enjoyed reading an excerpt of Maximum City: Bombay Lost and Found by Suketu Mehta. A good pick for anyone with an interest in the subcontinent.
One of the biggest literary releases of the year is out today, The Marriage Plot by Jeffrey Eugenides. Read the book’s opening here. Another literary heavy hitter out today is The Stranger’s Child by Alan Hollinghurst. One of Albanian writer Ismail Kadare’s masterpieces, The Palace of Dreams, is now back in print in English, and Blake Butler’s memoir Nothing: A Portrait of Insomnia is now on shelves.