One Romanian woman may have committed “a barbarian crime against humanity” by incinerating a collection of seven famous paintings – including Picasso’s “Harlequin Head,” Monet’s “Waterloo Bridge, London,” and Gauguin’s “Girl in Front of Open Window.” Her excuse? It was in order to protect her son – a skilled art thief – from prosecution.
“It comprises 10 short stories written by Iraqis, all of whom were guided by a simple yet fertile premise: What might Iraq look like a century from now?” The Atlantic review’s Tor’s anthology Iraq + 100 (originally published last year by Comma Press in England), which was released stateside last month—in an attempt to bring visibility to an underrepresented group of writers in America. Read The Millions’ review of the “ambitious short story collection” from March.
Máirtín Ó Cadhain is probably the most famous Irish writer you haven’t heard of, if only because he wrote all his masterworks in Irish rather than English. His best novel, Cre na Cille, has a simple and arresting premise: a town in Connemara has a graveyard in which the dead can speak. In The Guardian, Kevin Barry (who we interviewed) reads the novel for the first time.