Your daily Canada: Michael LaPointe wonders what happened to the genre of CanLit.
Shakespeare conspiracy theorists might still wonder who the real playwright was, but we do know what he would’ve sounded like. Linguist David Crystal and his son, actor Ben Crystal, demonstrate the original pronunciation of the Bard’s best. Bonus: An interview with Ben on the research behind the pronunciation.
Another day, another LARB piece about reading Russian fiction in conjunction with the Winter Olympics. (One particularly interesting earlier installment is over here.) Meanwhile, I offer a compendium of passages from the Russian masters, and use my favorite #SochiFails to illustrate them.
“There has been a growth in the literary depiction of a particular type of friendship, one that has in the past found itself vulnerable to dilution and deflection by the ostensibly more powerful imperatives of heterosexuality and motherhood.” On literary female friendships, from Virginia Woolf to Elena Ferrante and Year in Reading alumna Zadie Smith.
“Much of the time, though, readers will be thinking that the ‘literary correspondence’ is something we’re well shot of – a postwar embarrassment, like child labour, meat rationing and outdoor toilets.” Martin Amis reviews the recent collection of Philip Larkin’s love letters, Letters to Monica, at Guardian.
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.