Your daily Canada: Michael LaPointe wonders what happened to the genre of CanLit.
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.
Okay, so earlier this week I mentioned Emily Nussbaum‘s excellent profile of Lena Dunham for New York Magazine. Now Lorrie Moore‘s written one too, for The New Yorker blog. The short piece, as you might imagine, is a near perfect meeting of author and subject; who could be better at writing about Girls?
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
Following a recent essay on the value of ambivalence, our own Mark O’Connell explores the nature of confidence in this week’s New York Times Magazine. Perhaps not surprisingly, he writes that this year’s Web Summit convinced him that tech moguls are congenitally more confident than writers.
Yet another open archive for your summer reading enjoyment: the Baffler (“the Journal that Blunts the Cutting Edge”), as part of a website redesign, has made available its entire back catalog of commentary and fiction. Might I suggest starting with this now-charmingly-antiquated piece on marketing to the youthful “hipster” generation? (The Paris Review has other suggestions. It’s hard to go wrong.)
The Millions Walking Tour of NYC Indie Bookstores is only a week away. Get all the details and RSVP.Little Dorrit is must-see-TV in the Packer household.For those considering undertaking Infinite Jest, we recommend Slate’s Audio Book Club discussion.Meanwhile, in the first installment of New York Magazine’s new “Reading Room” feature, participants get, er… wet.”‘I never wanted to write this book,'” [Alec Baldwin] tells us… ‘It was also a book I never wanted to read, but here we are, Alec and I, making the best of a bad situation.'”The influence of the late J.G. Ballard, who died this week, reached from Jonathan Lethem to Thom Yorke.What’s Bret Easton Ellis up to? Not much, apparently.An inspired blog feature collects one-star Amazon reviews of the classics (via HTMLGIANT).In praise of Peter Handke and A.J. Liebling.Senator Arlen Specter realizes that there’s no way to endear yourself to Republican primary voters like writing for The New York Review of Books.William H. Gass goes for baroque. (via The Complete Review)Some small presses are trying out a subscription model.The earliest known dust jacket for a book has been found. (via LitKicks)The Orange Prize shortlist has been announced.Ben Yogoda writes a defense of common English.Trade paperbacks thrive in tough times. (Our suggestion: make them even smaller.)Earth Day was this past week, and now we know: used books are “greener” than new.