PSA: Little Brother is releasing a special issue entitled Everything Is Fine. The kicker? The issue is dedicated to fiction about embattled Toronto mayor Rob Ford. (P.S. If you aren’t familiar with LB, it’s the magazine run by Millions Tumblr-er emeritus Emily M. Keeler.)
“Literary Magazine Submission Tips Submitted to Myself” by Joseph Scapellato
“It wasn’t our job to be aroused; it was our job to enhance literature meant to arouse our paying readers.” Kayleigh Hughes writes for Catapult about her year of editing e-erotica. You will learn myriad things from her account, such that publishers list “every sex act contained in every book, and the page on which those activities could be found, so that those in sales could properly categorize and organize the books for maximum success in the e-market.” And if your lust still requires further satiation, see also this account of writing the erotica itself.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
The publishers of the 33 1/3 series have made public the entire list of suggested albums submitted by their readers for the next book. Don’t worry, you didn’t miss your chance–the “Under-22” category is open through May of 2016. Pair it with our own Emily Colette Wilkinson’s hilarious musical soundtrack for her graduate school screenplay.
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.