Frank McNally investigates the “dark forces at work somewhere” that prevent Flann O’Brien from being honored with a Dublin bridge. Perhaps we should all start a grassroots campaign to send Mark O’Connell’s O’Brien tribute to Irish civil engineers.
What’s A Guy Got to Write to Get a Bridge Named After Him?
Tuesday New Release Day: Evison, Oates, Theroux, Fontane
New this week is Jonathan Evison’s West of Here, Joyce Carol Oates’ memoir A Widow’s Story about the death of her husband (this was the source of her recent, quite moving essay in the New Yorker), and the expanded rerelease of Alexander Theroux’s The Strange Case of Edward Gorey. Also new on shelves from NYRB Classics is Irretrievable by Theodor Fontane, with an introduction by Phillip Lopate, who discussed Fontane in our Year in Reading in December.
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Jeremy McCarter on James Baldwin’s New Anthology
At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”
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Levin and Vronsky Are Dead
November 16th marks the release of the new film version of Anna Karenina (written by Tom Stoppard), which you can watch the trailer for here. It might also be a good time to brush up on the novel itself.
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Just Saying…
William Carlos Williams was a poet born for the age of Twitter. Or, rather, his poem “This is Just to Say” is perfect for Twitter parodies. Potato, potahto.
Living like Fitzgerald
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
The Root of Fantasy
Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer’s Notebook II, published by the folks at Tin House. (Related: we published Harper’s editor Christopher Beha’s essay in the book last year.)