“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
For years, one of the best ways to make a living as a writer (if you didn’t want to go into academia) was to become an ad copywriter. They heyday of print was flush with opportunities to make bank off billboards and publications. At The Paris Review Daily, Dan Piepenbring looks back on the ad copy of Fay Weldon, who gave the UK, among other things, the slogan “Vodka makes you drunker quicker.” (Related: Hope Mills on working for a creative agency.)
At The NYT Mag, Virginia Heffernan‘s “Drill, Baby, Drill” explores the possibility that drills and memorization might not be quite as oppressive as some of the kinder, gentler pedagogues of our time suggest and offers a list of aps to help aspiring rote learners (Nota Bene: VerseByHeart).
Brittany Oliver listed the “6 Most Influential Women Writers You’ve Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.