Urvashi Butalia and Ritu Menon founded India’s first feminist publishing house, Kali For Women, in 1984. In 2003, they parted ways to start their own projects: Menon began Women Unlimited; Butalia founded Zubaan Books. Now, in a compressed and edited interview for Mint, Butalia discusses some of the challenges she faces in India’s publishing ecosystem, and also notes, “in my 40 years in publishing, things have never felt as exciting as they are now. It truly seems there are infinite possibilities.”
Urvashi Butalia on Indian Small Presses
Death of a Reader
Now that Google Reader is nearing its official death, the people who used to depend on it are waxing nostalgic about its heyday. At Page-Turner, Joshua Rothman remembers the feeds he once relied on.
I Need to Return Some Redbox DVDs
Patrick Bateman as internet troll? I could see it. Bret Easton Ellis, author of American Psycho, stopped by Town and Country to muse over how an early-twentieth century Patrick Bateman might behave a bit differently: “I check in with Patrick every now and then—as with this article you’re reading—but he has been living his own life for some time now, and I rarely feel as if I have guardianship over him, or any right to tell him where he would or would not be today, decades after his birth.”
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Tuesday New Release Day: McCarthy, Phillips, Turow, Geni, Catton
Vintage International released Cormac McCarthy’s screenplay for The Counselor, the new Ridley Scott film which our own Nick Moran wrote about on Saturday. Also out: Quiet Dell by Jayne Anne Phillips; Identical by Scott Turow; The Last Animal by Abby Geni and The Luminaries by Booker Prize shortlister Eleanor Catton, which Martha Anne Toll reviewed for us on Monday. (For more on these and other new titles, go read our Great Second-half 2013 Book Preview.)
Here’s Johnny!
There might be a prequel to The Shining in the works. I wonder if it’ll be more like this.
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Broken Embraces
Catch it while you can: Charlie Rose‘s hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar’s latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.
Hell is Other People
The Morning News posts a terrific (if slightly ingenuous?) take on the vacuity of the poet’s life in NYC: Frank O’Hara it ain’t. Whether this is a failure of the city, or merely of the poet, is an open question. (via The Book Bench).