There’s a reason why we hate Comic Sans so much. Chris Gayomali discovers just how typeface can influence how we think and read. Hint: if you want to seem credible, use Baskerville. Pair with our essay on the obscure punctuation mark, the interrobang.
“Legal writing, save for the prose of a precious few lawyers and judges, has rarely contributed to the literary enterprise. Yet there are times when legal proceedings have helped the public at large to reconsider the experience of reading in commercial, emotional, and intellectual terms.” Ian Crouch on the odd experience of reading the statements of Lance Armstrong.
Out this week: The Story of the Lost Child by Elena Ferrante; Did You Ever Have a Family by Bill Clegg; Marvel and a Wonder by Joe Meno; The Hundred Year Flood by Matthew Salesses (who recently wrote for us); Dryland by Sara Jaffe; and Purity by Jonathan Franzen (which we reviewed). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.