There’s a reason why we hate Comic Sans so much. Chris Gayomali discovers just how typeface can influence how we think and read. Hint: if you want to seem credible, use Baskerville. Pair with our essay on the obscure punctuation mark, the interrobang.
“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
Meanwhile, in the commonwealth of Virginia, HB 516 is currently sailing through state legislature. What began as one mother’s outraged response to her 17-year-old son’s AP English assignment–reading Beloved by Toni Morrison–has morphed into a bill which would require school districts to do three things: flag any “sexually explicit” assigned material, allow parents to review all assigned readings to assess perceived levels of sexual explicitness, and finally, require teachers to provide alternate readings/avenues of study for any students whose parents deem particular content too inappropriate.
Out this week: Vinegar Girl by Anne Tyler; The Mandibles by Lionel Shriver; As Good as Gone by Larry Watson; Disappearance at Devil’s Rock by Paul Tremblay; My Last Continent by Midge Raymond; and The World Without Us by Mireille Juchau. For more on these and other new titles, go read our Great 2016 Book Preview.
UNESCO announced this week that Krakow has been named the seventh City of Literature. The Polish municipality joins Edinburgh, the first UNESCO City of Literature, and Iowa City, Melbourne, Dublin, Reykjavik and Norwich. The city has been home to such notable authors as Nobel Prize winners Henryk Sienkiewicz, Władysław Stanisław Reymont, Czesław Miłosz, and Wisława Szymborska.
Matthew Salesses, whose forthcoming novel-in-stories I’m Not Saying, I’m Just Saying (excerpt here) will publish in February, has started writing a book (on Tumblr) “(not) about adoption.” As Salesses notes in the blog’s first post, his new project “is not to be a memoir, or an op-ed, or a travel narrative, or an answer to anyone …This is to be the story of finding out.”
New! This! Week! Forty-one False Starts: Essays on Artists and Writers by Janet Malcolm, Red Moon by Benjamin Percy, Pacific by Tom Drury, Love Is Power, or Something Like That by A. Igoni Barrett (read his piece at The Millions), and Dossier K, a memoir from Novel winner Imre Kertész.