The Taksim Square Book Club

“We all use a ‘persona’ or mask, to some degree, all the time,” writes poet Robert Pinsky as he challenges the notion—widely held in English classes throughout the world—that a poem’s “speaker” is necessarily separate from a poem’s author. The latest release from Pinsky, the former Poet Laureate of the United States, is Selected Poems, and you can hear him read some excerpts in this video.

Remember when I wrote about Bonnie Huie’s translation of Qiu Miaojin’s Notes of a Crocodile? Well here’s some more about Huie’s work. Over at the PEN blog, you can check out the translator’s introduction to Miaojin as well as an additional excerpt from the translation-in-progress.

“When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac.” Here’s something you don’t see every day — an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami’s artistic legacy.