Before the regime change in Burma, Ye Htet Oo ran a secret library even though he risked facing “three months in jail for every book he lent without permission from the censorship board.”
The Rebel Librarian
“Poetry is like a pinch, a twist of the skin”
Our own Nick Ripatrazone has been on a roll lately. Apart from the many articles he’s written for The Millions, he’s got a forthcoming collection of short fiction that includes works he published in Esquire and The Kenyon Review. He also published a new poem, “South Africa, 1988,” at The Nervous Breakdown, which you can read in conjunction with his self-interview.
Sans Serif
Garamond or Helvetica? Times New Roman or Le Monde Journal? The stories behind your favorite fonts.
●
●
Perhaps They’re More Into Non-Fiction
I’m neither a therapist nor a zoologist, but maybe if we want to ward off midlife crises in great apes, we should stop reading them so much Jane Austen.
Before “Once Upon A Time”
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.
Protest? I Would Prefer Not To.
In October 2011, Hannah Gersen convincingly argued that the Occupy Wall Street protests bore more than a few similarities to Bartleby, The Scrivener. Now, amid the political demonstrations going on throughout Turkey, Millions contributor Kaya Genç draws a similar parallel between Istanbul’s “Standing Man” and Herman Melville’s famous protagonist.
●
●