With the actual manuscript still missing, what was thought to be a worthless photocopy may be our best link to John Kennedy Toole’s A Confederacy of Dunces. The UL Lafayette Foundation agreed, paying $31,000 in an auction.
The $31K Photocopy
The litigation is never dead. It’s not even past.
Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
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The Times on the New Bolaño
Dwight Garner reviews the new collection of Roberto Bolaño nonfiction in The Times. “The odd jobs and left-handed journalism that fill Between Parentheses matter because of the way his novels loom over the past half-century of Latin American fiction.”
I am throwing up in my hat.
So, not only does The Paris Review now have a “booty call” tag on their blog, but certain of their editors can be seen dishing out fashion advice in the fiction issue of VICE. Party on, Paris Review. Party on.
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The Personal Dilemma of Writing
Tim Parks investigates the idea of “writing to death” in the cases of Thomas Hardy, D.H. Lawrence, Anton Chekhov, Charles Dickens and William Faulkner. “So many of the writers I have looked at seem permanently torn between irreconcilable positions,” Parks writes. “Eventually, the dilemma driving the work either leads to death, or is neutralized in a way that prolongs life but dulls the writing” (Bonus: Our own Mark O’Connell just reviewed Parks’s latest book, Italian Ways.)
Action!
Recommended Reading: This lengthy piece from The New York Times on the history of Yiddish theater from schtick to stardom.
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A New Kind of Book Review
A new kind of book review: 5 artists interpret and critique literature through works of visual art.
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Tayari Jones on Toni Morrison and Homer
Tayari Jones lists the most influential books of her life, ranging from Jesmyn Ward and Homer to Ann Petry and David Chariandy.
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First Look at Gone Girl
Amy barely speaks in the trailer for Gone Girl, but she is present in almost every frame. The first look at David Fincher’s adaptation features a creepy cover of “She” and a harried Ben Affleck as he goes from bereaved husband to suspect. The film will be in theaters on October 3, but until then, read our conversation about Gillian Flynn.
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