Today in New Zealand: Granta published a Kiwi short story in partnership with Commonwealth Writers.
Tale of a Giraffe
Diary of International Pynchon Week
At n+1, Nick Holdstock’s diary of International Pynchon Week, held in Lublin, Poland: “The conference room looked like the United Nations as depicted in ’60s spy movies ... on the pad of the man to my left there were no notes, just a drawing of a cat wearing a shirt and tie.”
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Space Invaders in The Smithsonian
Martin Amis isn't the only highbrow fan of video games. As of last Friday, The Smithsonian American Art Museum in Washington has begun "The Art of Videogames," which is "one of the first major shows to explore the artistic power of the medium."
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Something Whole
"The short story, as a form, has plenty of defenders," the collection of unconnected short stories, maybe not so much. In an essay for LitHub, regular Millions contributor Jonathan Russell Clark praises the unlinked stories of Barbara the Slut and Other People and Single, Carefree, Mellow because "despite a lack of the wholeness of a novel, something complete and true and hard-won emerges by the end."
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Didion’s Perfect Synthesis
"Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once." In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion's writing career, her "imaginatively seductive" nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.