This might come in handy if you’re trying to escape a bad review, or even avoid hanging out with your family. A team of physicists has developed a theory for “how to cloak a region of space from the quantum world, thereby shielding it from reality itself.” Take that, Harry Potter.
“Sandberg does not mention pleasure. Sandberg assumes instead that the feminist question is simply, how can I be a more successful worker?…Sandberg has penned not so much a new Feminine Mystique as an updated Protestant Ethic and the Spirit of Capitalism.” At Dissent, Kate Losse, herself a former Facebook employee, critiques Sheryl Sandberg’s new and controversial Lean In.
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach‘s The Art of Fielding, John Darnielle‘s National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg‘s upcoming City on Fire, about “The Art of Agenting.” Pair with our own Edan Lepucki‘s conversation with her agent, “Don’t Ever Do It for the Money,” and with the opening lines of City on Fire, a Millions exclusive.