“To fully understand poetry, familiarize yourself with the elements of a poem, such as meter, which is 3.28 feet.” Katie Burgess teaches us how to properly read a poem for The Rumpus’ Funny Women column.
Recommended Reading: From The New Yorker, it’s Tessa Hadley on fiction as anthropology: “When I’m writing a story, its world is thin, unsatisfactory, untrue, until I start to find my way to those details, those ‘small cultural signifiers.’ As these accumulate on the page, the life in the piece thickens, the details breed, and the story begins to stir.”
“There needs to be a literary Juneteenth. We can’t rely on publications and presses that have, through the actions and complicity of their leadership, proven oppressive. For history to avoid repeating itself, we need to define sustainability for ourselves. This could mean expanding existing infrastructure, forming new platforms, or simply self-publishing. None of those things are as easy as plugging into what already exists, but given the state of the field, there needs to be a deep interrogation of what already exists to see if it truly values us, sees us.” Casey Rocheteau on the restorative justice of publishing, over at The Offing.
“I was interested enough in WikiLeaks, state transparency, and emergent opposition networks to do five years in prison over such things, but I wasn’t interested enough that I would have voluntarily plowed through 500 pages of badly plotted failed-marriage razzmatazz by an author who’s long past his expiration date simply in order to learn what the Great King of the Honkies thinks about all this.” Barrett Brown reviews Jonathan Franzen’s Purity from prison. Pair with our own Lydia Kiesling’s review of the book.
The Brooklyn Rail‘s InTranslation section has launched a new poetry series, 100 Refutations. Created by author and translator Lina M. Ferreira C.-V., the series will feature a daily poem “from one of the countries recently denigrated by the president of the United States.” Pair with: The Millions’ Surviving Trump column.