“To fully understand poetry, familiarize yourself with the elements of a poem, such as meter, which is 3.28 feet.” Katie Burgess teaches us how to properly read a poem for The Rumpus’ Funny Women column.
Recently, both Batgirl and the Norse god Thor (as conceived by Marvel) have been updated to suit the times. While DC Comics simply gave Batgirl sensible, combat-appropriate clothing, inspiring happy fan art; “female Thor” has met a mix of excitement and bewilderment. Fittingly, a new piece out at Aeon explores our conflicted desire to see male protagonists in fiction — the Harry Potters and Bilbo Baggins’ of the world — reimagined as women. (Also, because no roundup of imaginary characters is complete without fake social media updates, here’s Thor lamenting the loss of his hammer on Facebook.)
In more “Dylan at 70” news, the knowledgeable Ed Ward reviews the compilation How Many Roads: Black America Sings Bob Dylan for The Oxford American. (Editor’s Note: The omission from this album of Nina Simone‘s “Just Like Tom Thumb’s Blues” and Ben E. King‘s “Lay Lady Lay” are both unconscionable.)
Out this week: Hunger by Roxane Gay; The Changeling by Victor LaValle; The Accomplished Guest by Ann Beattie; So Much Blue by Percival Everett; Erotic Stories for Punjabi Widows by Balli Kaur Jaswal; The City Always Wins by Omar Robert Hamilton; and Blind Spot by Teju Cole. For more on these and other new titles, go read our most recent book preview.
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.