Pitchfork Media announced last week that it will begin supplemented its popular music website with a new project dedicated to “reviews, commentary, interviews, and news about the films of the moment.”
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Like writing personal essays? Want to get one published on The Hairpin? Sign up for the Skillshare class Writing Personal Essays that Get Read (taught by Friendship author and Year in Reading alum Emily Gould) and you might have your essay chosen for a feature on the site. The class is included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.
Electric Literature—first established as a cross-platform digital publisher, but best known for its popular “Recommended Reading” tumblog—has just relaunched itself as a literary advocate built around a strong website and social channels. C0-founder Andy Hunter tells the Washington Post, “Posting a cool photo on social media gets a much greater response than text alone, even in our audience of book lovers. While at first that might seem at odds with literary content, we’ve always felt that changes in the way we communicate create opportunities to reach more people.”