Pitchfork Media announced last week that it will begin supplemented its popular music website with a new project dedicated to “reviews, commentary, interviews, and news about the films of the moment.”
Pitchfork and The Dissolve
Mixer Publishing Contest
"Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey's Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem." The contest deadline is June 30th.
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Someone You’re Not
We're all frauds on the internet! Ann Leary at The Literary Hub takes a look at why online relationships tend to falter in the "real world." Here are a couple of complementary friendship-related essays from The Millions.
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It’s Okay, I Guess
If your default mood hovers between melancholy and despair, you may be cheered (or at least made a bit less glum) by this argument that striving for happiness is bad for us in the long run. Mari Ruti makes the case that a “happy, balanced life” depends in large part on a kind of emotional numbness.
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Good Grief
With his depressive musings, Charlie Brown was the original Morrissey. At "This Charming Charlie" tumblr, Lauren LoPrete pairs The Smiths lyrics with Peanuts comics to hilarious effect.
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5-Star Pepper Spray
"Accept no substitutes when casually repressing students" "Perfect for Starting Your Own Little Police State!" and other 5-star reviews of pepper spray on Amazon.
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Audiobook Reviews by Kyle Minor
Cool Move Alert: Kyle Minor is reviewing audiobooks for Salon. His first piece is on Dave Eggers’ Hologram for the King, as read by Dion Graham (The Wire, Law and Order).
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Martin Amis on Philip Larkin’s Love Letters
"Much of the time, though, readers will be thinking that the 'literary correspondence' is something we're well shot of – a postwar embarrassment, like child labour, meat rationing and outdoor toilets." Martin Amis reviews the recent collection of Philip Larkin's love letters, Letters to Monica, at Guardian.
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