Pitchfork Media announced last week that it will begin supplemented its popular music website with a new project dedicated to “reviews, commentary, interviews, and news about the films of the moment.”
Recommended Reading: Meryl Cates of The Paris Review gets Millayed in Edna St. Vincent Millay’s gardens at Steepletop, the New England-style farmhouse where the Pulitzer Prize-winning poet worked and played. Pair with this essay from The Millions on reading writers’ houses.
Wes Anderson’s latest movie sparked a minor literary revival after it came out that much of it was based on the works of Stefan Zweig. Jason Diamond argued that Zweig may finally be getting the due he deserves in America. At the LARB, Tara Isabella Burton reads the author’s collected stories.
As part of his research for his recent treatise on office life, Cubed, n + 1 editor Nikil Saval looked back on his own years in an open office. In an interview with Sara Scribner, he talks about his growing awareness that it wasn’t good for his health: “It was sociable in some good senses, but also mostly not a pleasant place to be.”
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing "some of the best writing today" and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).