Colum McCann can add the International IMPAC Dublin Literary Award to the long list of accolades he has received for Let the Great World Spin. The book is a Millions Hall of Famer and our coverage of the title has been fairly extensive. Previously: Digging into the 2011 IMPAC Longlist, The Eclectic IMPAC Shortlist Has Arrived.
“In creative writing, I teach that characters arise out of our need for them. By now, the person I created in New York was the only one I wanted to be. …Eight years after reaching the end of myself, I was on borrowed time. Whether it was in a plane or a coffin, I knew I had to get out of Jamaica.” Marlon James, author of The Book of Night Women, which once gave me so much trouble, and whose novel A Brief History of Seven Killings the Book Report covered here, writes for the New York Times Magazine about leaving Jamaica to find himself in Minnesota.
“It’s part of Jane Austen’s genius that she can bring the maximum of drama and momentousness to the most minimal of occasions.” Here is David Denby from The New Yorker on reading (and listening to) Austen’s Emma, which is celebrating its two-hundredth year in print. We’ve brought you a bunch of bits on Austen in the past.
The recent passing of Christopher Hitchens has led to numerous praiseful eulogies. Many have been (and he would’ve hated this…) hagiographic. Now, in an article for The Nation, Katha Pollitt seeks to “complicate the picture … at the risk of seeming churlish” to allege that the man “had virtually no interest in women’s writing or women’s lives or perspectives.”
“Recently, a friend told me she didn’t like pictures of herself because she never looked the way she thought she did in her head. I think this pretty much describes the universal horror that is looking at your own photos, and that’s why I love the selfie so much. It gives you all the controls to the story you are telling.” In defense of the selfie.