What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
“Who was Bret Easton Ellis describing when he tweeted: 'The best example of a contemporary male writer lusting for a kind of awful greatness that he simply wasn't able to achieve'?” The Guardian has a delicious quiz of literary putdowns. And speaking of fighting, let's talk about books about violence.
What do you get when you combine Jorge Louis Borges, Vladimir Nabokov, Pablo Neruda, and W.H. Auden? You get a list of the losers of the 1965 Nobel Prize in Literature. The prize was won by the controversial Soviet author Mikhail Sholokhov, who had spoken out against granting the Nobel to Boris Pasternak a few years earlier. Not such bad company on the losing side, there.
All three Brontë sisters – Charlotte, Emily, and Anne – will be the subject of a new “blockbuster biopic,” reports Telegraph & Argus. An announcement about the cast and crew will be made on April 21, 2016 – the 200th anniversary of Charlotte’s birth date – but early speculation indicates that Harry Potter star Rupert Grint may play Branwell.
New this week: The Heart Goes Last by Margaret Atwood; Gold, Fame, Citrus, by Claire Vaye Watkins; Vertigo by Joanna Walsh; Syllabus of Errors by Troy Jollimore; The Good Story by Nobel laureate J.M. Coetzee and Arabella Kurtz; I Must Be Living Twice by Eileen Myles; and The Complete Works of Primo Levi. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“She could be a diva, says this source, 'but in a way I fucking admire it. The world would be a sorrier place without divas.'” For New York magazine, Boris Kachka on the drama behind Michiko Kakutani's departure from The New York Times and what her absence means for the world of books. Consider also: our own Matt Seidel's rogue's gallery of prominent critics.