Now that they’ve announced the impending publication of The Best American Infographics, it might be prudent to revisit Reif Larsen’s classic Millions article, “This Chart Is a Lonely Hunter: The Narrative Eros of the Infographic.”
James Baldwin was more famous for being an essayist and novelist, but he was also a film critic. At The Atlantic, Noah Berlatsky argues that Baldwin should be considered one of the best film critics for The Devil Finds Work. “Baldwin shows that criticism is art, which means that it doesn’t need a purpose or a rationale other than truth, or beauty, or keeping faith, or doing whatever it is we think art is trying to do.” For more on Baldwin, read our essay on his epiphanies.
In the Times, Jennifer Schuessler reviews Ishmael Beah’s new novel, Radiance of Tomorrow, which takes place in the same war-ravaged setting as the author’s 2007 memoir. Schuessler writes that Beah “delivers a glimpse of the hardships of postwar Sierra Leone along with strong and repeated assurances about the redemptive powers of stories themselves.”
“Internet reading takes up my time without my setting that time aside for it, and fills me with images and thoughts that I don’t perceive going in, like radiation… In these online minutes or hours, I drift along with my mouth open, absorbing whatever’s floating by, never chewing or even swallowing, just letting it all seep pre-chewed into me”: an elegant argument against reading about books before you read the books in question at Electric Literature. (But we hope you’ll continue to read The Millions anyway.)
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”