Bad news, guys: the longest word in the German language is officially no longer a word.
At Bloom this week, check out the feature on novelist Jon Clinch, and the accompanying Q&A, where Clinch talks in-depth about his decision to self-publish his fourth novel after having his first two published by Random House. He says that his second novel, Kings of the Earth, “was set up for success: Oprah’s magazine put it at the top of their summer reading list, and it went on to be named one of the best novels of the year by theWashington Post. But the Oprah nod came six or eight weeks before publication date, and Random House either couldn’t or didn’t capitalize on it. By the time the book hit the shelves, it was already forgotten. I simply couldn’t bear the possibility that The Thief of Auschwitz might slip into the abyss.”
Recommended reading: Jason Arthur bids “Good Riddance to the Good-Bye-To-New-York Essay” for The Rumpus. Pair with Eryn Loeb‘s review of Goodbye To All That: Writers on Loving and Leaving New York and our own Elizabeth Minkel‘s account of rereading Didion‘s original “Goodbye to All That.”
Some people may not have realized the Oscar nominated Call Me By Your Name was originally a novel. André Aciman wrote an essay for Vanity Fair on the process of watching his novel adapted into film, in particular what it was like watching the scene he calls the most important come to life. Read the essay plus what author Martha Southgate had to say about the novel for her 2007 Year in Reading essay. And then go see the film!
For Buzzfeed Rachel Vorona Cote explores Eve Babitz and the white literary It Girl. “Readers, particularly literary women in their twenties and thirties, seem to be entranced by this child of Hollywood, who unabashedly relished her LA milieu and both chronicled and defended its paradoxes. But it’s still a milieu that flattens the city into one that is homogenous, wealthy, and white.” Pair with this essay about her novel Sex and Rage.