“Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey’s Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem.” The contest deadline is June 30th.
Mixer Publishing Contest
Amis Scoffs at Literary Prizes
Martin Amis told the Hay Festival in Wales that only unenjoyable books win prizes, but the Telegraph's lede implies sour grapes.
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“A different order of debut”
Hats off to our own Edan Lepucki for being named a Face to Watch by the LA Times! In an article, David L. Ulin says Edan’s upcoming novel is “steeped in southern California narrative tradition” and describes how a drive along Sunset Boulevard inspired the setting of the book. (You can catch up on Edan's work by looking through her archive.)
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“A great novel is always felt as a kind of gift”
Millions contributor Brian Ted Jones read through some of Nic Pizzolatto’s written fiction – such as his novel, Galveston – and found that the author dwelled on many of the “same obsessions” as he does in his breakout HBO hit, True Detective.
Take a Look at Cormac McCarthy’s Screenplay
The New Yorker has a sneak peek at some scenes Cormac McCarthy wrote for the forthcoming Ridley Scott film, The Counsellor.
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On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
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