“Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey’s Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem.” The contest deadline is June 30th.
Mixer Publishing Contest
Debating the Book Blurb
We recently offered a look at the odd history of the book blurb here at The Millions. Now the New York Times is looking at this peculiar custom, inviting four contributors to discuss their merits and pitfalls. Among them is our own Bill Morris, who revisits his 2011 essay “To Blurb Or Not To Blurb” about the dilemma he faced when asked to blurb a friend’s book.
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“Good evening.”
While you wait around for Hitchcock to hit theaters, you’ve got plenty of time to check out this online record of thirteen storyboards from the English director’s classic films.
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The Guardian’s Books of the Year
The Guardian‘s Books of the Year feature should get you warmed up for our forthcoming Year In Reading series. We’ve wrangled together some great names this year. You can whet your appetite with our 2010 installment.
Book Ninjas
On Monday we mentioned that the MTA has started offering free e-books underground as part of its Subway Reads program, but they weren’t the first to make books an integral part of the public transit experience. London’s Books on the Underground was first, but then came a more interesting development in Australia: book ninjas. Books on the Rails is a gonzo experiment started by two Melbourne residents who began releasing free books – actual, paper books – into the wilds of the city’s tram system. About 300 books are currently in circulation in what’s possibly the world’s most open lending library.
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The Chance of a Lifetime
It’s famously easy to get scammed on OkCupid. Sarah Hepola (of Salon) knew as much when she joined. But when someone who claimed to be Joseph Gordon-Levitt sent her a flirty message, she figured… what could she do?
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Finding “the fountainhead of the humanities”
Tracing the biological origins of aesthetics, Harvard Professor E.O. Wilson argues for a tighter bond between the humanities and the sciences and identifies the metaphor as the wedge that will keep them forever divided.
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