Can writers transcend race? LaTanya McQueen argues that labeling fiction as minority gets in the way of the story at The Missouri Review blog. Also, see our essay on the racial and gender barriers in the publishing industry.
Mislabeled
How the Fulbright Started
“Whatever the [Fulbright] program became,” writes Boston Globe correspondent Sam Lebovic, “it was first conceived as a budget-priced megaphone to transmit American ideas to the world, rather than as a genuine international dialogue.” Indeed, one 1940s newspaper columnist dubbed the program “an ingenious piece of higher mathematics…[that] found a way to finance out of the sale of war junk a worldwide system of American scholarships.”
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Twitter Fiction Festival
On Friday Twitter announced their new Twitter Fiction Festival, a “virtual storytelling celebration.” The festival will feature “creative experiments in storytelling from authors around the world,” and you can submit story proposals over here.
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Tuesday New Release Day: Kunzru, Harrison, Krasznahorkai, Levin, de Botton, Haggadah
It’s a bumper crop of new books this week: Hari Kunzru’s Gods Without Men, Kathryn Harrison’s Enchantements, László Krasznahorkai’s Satantango (reviewed here), and Adam Levin’s Hot Pink. Also out this week are Alain de Botton’s Religion for Athiests and Jonathan Safran Foer and Nathan Englander’s New American Haggadah.
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A Hunger Artist
On August 1st, 1914, Germany declared war on Russia. Also, Franz Kafka went swimming. Moreover, the Metamorphosis author mentioned both events in his diary, writing simply and strangely that “Germany has declared war on Russia — went swimming in the afternoon.” Was this odd phrasing intentional or a sign of the author’s self-absorption? In an article for Open Letters Monthly, Robert Minto reads all three volumes of Reiner Stach’s new biography.
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The Essay Crown
Could James Baldwin be America’s greatest essayist? Ta-Nehisi Coates believes so — at The Atlantic, he argues that The Fire Next Time shows Baldwin committing “amazing acts of intellectual and emotional courage.” (Related: Buzz Poole paid tribute to Baldwin back in 2008.)
Jane at 40
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”