Can writers transcend race? LaTanya McQueen argues that labeling fiction as minority gets in the way of the story at The Missouri Review blog. Also, see our essay on the racial and gender barriers in the publishing industry.
Mislabeled
“Then did he see, at long last, that The Google did load.”
H. Jon Benjamin (of Bob’s Burgers notoriety) loaned his voice-over talents to Vulture and McSweeney’s for this 8-bit adaptation of Mike Lacher’s classic piece, “In Which I Fix My Girlfriend’s Grandparents’ WiFi and Am Hailed As a Conquering Hero.”
Confessional Criticism
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
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Fictional Texts
“Each imaginary book is a demonstration of fiction’s magic, as an author deposits into a fictional world yet another fictional world, like one universe bubbling out of another.” On Borges and other authors’ fictional texts and his library of imaginary books. Jeff Peer introduces us to Borges as a professor in his review of Professor Borges: A Course on English Literature.
New Nicole Krauss Story
The History of Love author Nicole Krauss has a new story out for sale in ebookstores: “An Arrangement of Light“.
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Translating Lorem Ipsum
Nick Richardson has some fun on the London Review of Books blog by discussing the challenges of translating Lorem Ipsum, a bit of filler Latin/Greek nonsense text that resembles an “extreme Mallarmé, or a Burroushian cut-up, or a paragraph of Finnegans Wake.”
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Michel Houellebecq on the Art of Fiction
Susannah Hunnewell interviews Michel Houellebecq, France’s controversial literary icon, for The Paris Review’s “The Art of Fiction” series: “There is a need for intensity. From time to time, you have to forsake harmony. You even have to forsake truth. You have to, when you need to, energetically embrace excessive things.”
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I will tell you this Rosalina, not as a taunt or a threat but as an evocation of joy.
From Werner Herzog’s letter to Rosalina, the woman he employs to keep his house: “Music is futile and malicious. So please, if you require entertainment while organizing the recycling, refrain from the ‘pop radio’ I was affronted by recently. May I recommend the recitation of some sharp verse. Perhaps by Goethe. Or Schiller. Or Shel Silverstein at a push.”