Max Linsky interviewed Riddle of the Labyrinth author Margalit Fox about the other career she’s had for eight years: obituary writing. Fox remarks on how obituaries have grown from being “the bastard stepchild of American journalism” into “the best gig” in the entire industry. Here’s one of my favorite Fox obituaries, by the way.
Margalit Fox Talks Obituaries
Beginner’s Luck
“Our great poet forever has one foot on Mount Parnassus and the other in the rue Quincampoix,” the Wall Street of eighteenth-century Paris. On how Voltaire outsmarted one of the earliest lotteries and made a fortune. Also check out how Goethe became an amateur auction theorist.
Go Get A Refund
Unhappy with Go Set A Watchman? You may be able to get your money back. Traverse City’s Brilliant Books is offering a refund to customers, as well as an apology for what they feel was a misleading marketing campaign.
Like Moss
“Like moss, my family grew on a mountain. In the utmost northwest of Spain, they set down roots so thick that only despair could rip them out.” Lorena Piñeiro writes at Midnight Breakfast about her family and penance. Pair with a piece on the business of nonfiction.
A Foreign Body within Oneself
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
DeLillo and Trance States
Charles Baxter notes, “If you have read several books by Don DeLillo, sooner or later you will have a Don DeLillo moment.” For Baxter, these are often “trance states,” of which DeLillo’s newest collection, The Angel Esmeralda, contains many.
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The Writer’s Mimicry
“When is it plagiarism, when is it homage? Especially in creative writing, I get tripped up on this distinction. A trick for writer’s block: write an imitation, steal moves, learn by mimicry. For my own poem-writing, I turn to other texts all the time. I pull language, take a word I like, sometimes fragments of phrases and twist them. I get inspired, I want to model after poems I fell madly for.” On discovering another writer’s plagiarism.
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Tuesday New Release Day: Adiga; Raymond; Ruskovich; Peacock; Williams; Gay
Out this week: Selection Day by Aravind Adiga; Freebird by Jon Raymond; Idaho by Emily Ruskovich; The Analyst by Molly Peacock; Falling Ill by C.K. Williams; and Difficult Women by Roxane Gay.
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