“Nurturing eventually becomes coddling, and now it’s time to encourage that work to take a bigger stage,” writes Jared Bland in his plea for the Griffin Poetry Prize to combine its two categories – Canadian and English-language – into one, global whole.
Make the Canadians Face Off Against Everybody Else, Too
A Heartbreaking Playlist of Staggering Sadness
Emma Straub’s super sad true Year In Reading entry had our eyes welling up just from its synopses, but now Ms. Straub’s put together an extremely sad playlist to keep you depressed through all of February.
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New Mary Karr
Fans of Mary Karr‘s The Liar’s Club and Cherry: At the New York Times Book Review, Susan Cheever describes Karr’s latest memoir, Lit, as “the best book about being a woman in America I have read in years.”
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Cool Story, Bro
The word “cool” has been cool for more than 70 years. At Slate, Carl Wilson examines why this slang stuck, and how it’s evolved from being used by beatniks to smartphone companies. “Cool is an attitude that allows detached assessment, but one that prizes an air of knowingness over specific knowledge. I think that’s why it doesn’t become dated, unlike hotter-running expressions of enthusiasm like groovy or rad.” Pair with: Michael Agger’s essay on why we love the “cool story, bro” meme.
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Robinson on Public Education
A Screwball Tragedy
“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
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