At The Paris Review Daily, Pedro Almodóvar tallies the elements of cinematic comedy, which include good timing, “rapid-fire dialogue” and rehearsals that draw out spontaneous performances from actors.
“By casting my book as personal rather than professional—by marketing me as a woman on a journey of self-discovery, rather than a reporter on a groundbreaking assignment—I was effectively being stripped of my expertise on the subject I knew best.” Suki Kim on writing a work of investigative journalism that was miscategorized as memoir. Pair with this Millions piece in defense of memoirs.
In the LARB, Hannah Tennant-Moore offers up a counterpoint (which our own Emily M. Keeler wrote about on Tumblr) to the raves that greeted How Should A Person Be? when the book came out this year. To hear what the author, Sheila Heti, had to say about the novel, check out our interview from June.
The New York Times profiles MacArthur Genius and National Book Award winner Ta-Nehisi Coates as one of America’s foremost public intellectuals. His book We Were Eight Years in Power: An American Tragedy (which we have been anticipating for months) is released this Tuesday.
The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that “38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901.” They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up.”The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth,” the breakdown is fascinating.