Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
“It is so chic to be an author. To be known for one’s writing is to be truly known, do you not think?” Mindy Kaling states in the beginning of B.J. Novak’s French New Wave satire book trailer. Novak isn’t just Ryan from The Office, he also writes fiction. His short story collection, One More Thing: Stories and Other Stories, will be out February 4th, but in the meantime, you can read an excerpt at NPR.
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.