Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
We're a little late to The Guardian's Families in Literature series, which includes essays on everyone from the March sisters to the Moomins and has been running for the last few weeks. A particular favorite is Moira Redmond's look at Brideshead Revisited's Flytes and the strange but true power of falling in love with an entire family, which pairs well with our own Lydia Kiesling's Modern Library Revue of the novel.