Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
Director Ross Ching was so inspired by photographer Matt Logue’s “Empty LA” project, he decided to expand the idea. What’s resulted is the ongoing Empty America series, whose first two installments depict Seattle and San Francisco without any humans present. Coming up: Washington D.C. and New York City.
Sarcasm makes the Internet go round. No, seriously, it basically does, and over at The Toast a linguist examines some of the strategies writers have developed, or are trying to develop, to communicate that sarcasm through writing, without the benefit of an eye-roll and a different tone of voice.
“What if, instead of simply critiquing Go Set a Watchman’s failure, we tried to analyze it? The new, older work makes more sense if we read it as an attempt to accomplish two tasks: first, to master—unsuccessfully, it turns out—the smart-magazine style that Harper Lee developed in her student journalism; and second, to write in a genre that often relied on the ironic elisions typical of ‘smart style’: the midcentury social-problem novel.” Tom Perrin on Harper Lee and the social novel. Pair with Michael Bourne's Millions review.