The writer needs to be a hustler to survive, essayist Aaron Gilbreath argues. He literally took to the streets of Portland to hand sell his work. Pair with our essay, “Instant Lessons: First Novel Karma.”
The New York Times recently ran an in depth look at the process of learning to deal in rare books. Which made me think of The Monkey’s Paw, a rare book store so good that twice now I’ve personally heard rare book dealers (at both Sellers and Newel and Paper Books) describe, with admiration and a dash of collegial envy, as everyone’s favorite book store.
New York Times travel editor Monica Drake recounts visiting Antigua after reading Jamaica Kincaid’s A Small Place—a sharp critique of tourism and the colonialist narrative around the island. As she puts it, “For all the drama of its history, […] the beauty of the place, the very thing that bewitches its tourists, renders it a time capsule to its residents.”
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
“Many students do not rate their knowledge very highly… they often doubt the possibility of mastering both pen and sword. A problem like this one, I realized not long ago, demands some special assistance. Thus, with all the earnest discretion of a Victorian lady in distress, I have appealed to none other than Mr. Sherlock Holmes.” The New Republic posts an essay on teaching Sherlock Holmes at West Point.