At The Awl, Noah Davis provides an honest overview of how difficult it can be to earn – or fail to earn – a living from freelance internet writing. Perhaps would-be freelancers should take a cue from Ian Hamilton’s 1998 London Review of Books essay in which he espoused the benefits – or perils – of accepting prizes and other literary subsidies.
The Silent History is being billed as a “new kind of novel.” Readers download a free app for their iOS devices and, over a period of six months, the app will deliver brief, serialized installments of an “exploratory novel.” Certain features of the story depend on your geographic location, and readers also have the opportunity to contribute their own features. For a full primer, as well as interview with Eli Horowitz, one of the “key figures” behind the idea, head over to VQR’s website.
Sometimes the most important issues are the most difficult to discuss. While a conversation about diversity in literature has started, The New Republic asks us why socioeconomic status is often left out of the conversation. Our essay on the rise and fall of the creative class pairs nicely.
“Ms. Cline, who was 27 when the novel came out, was celebrated as a major new talent. But for the last two years, her success has been overshadowed, in private, by legal threats levied against her by a former boyfriend.” Emma Cline, bestselling author of The Girls, and her ex-boyfriend, Chaz Reetz-Laiolo, have filed public lawsuits against each other including allegations of plagiarism, physical abuse, and intimidation, according to the New York Times. From our archives: staff writer Michael Bourne‘s review of Cline’s debut novel.