Extremely Loud and Incredibly Far

Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.

Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s  ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)

“Why are people so preoccupied? What is genre in the first place? Who invented it? Why am I perceived to have crossed a kind of boundary?” Kazuo Ishiguro and Neil Gaiman discuss The Buried Giant, fantasy and genre for the New Statesman. Pair with our own Lydia Kiesling‘s review of the novel.

With college football season officially upon us, I’d like to take some time to recommend some books and articles on the subject of my favorite game. For starters, check out Nick Ripatrazone’s Millions piece about Don DeLillo, sports scandals, and growing up with the game. Next, Taylor Branch’s quintessential ebook on the NCAA’s cartel-like stranglehold on the sport deserves a read from anybody who’s ever participated in or watched college athletics of any kind. (You can get a good idea of the book from his Atlantic piece, too.) And lastly, I recommend checking out John U. Bacon’s latest book, Fourth and Long, which examines how “money, influence and power haunt the league.” (You may recall Bacon’s name from when I reviewed his earlier book on college football last year.)