I’m thinking about installing a Delaney Nolan bat signal to alert the world of her new work whenever it appears. Previously I’ve evangelized about her writing in Guernica, Necessary Fiction, Sundog Lit, and The Rumpus, but this time I’d like to call attention to her photo essay about New Orleans in the latest issue of Oxford American.
Delaney Nolan Photographs New Orleans
Tuesday New Release Day: Sebald; Ugresic; Storace; Nunn; Mailer
Out this week: A Place in the Country by W.G. Sebald; Europe in Sepia by Dubravka Ugresic; The Book of Heaven by Patricia Storace; Chance by Kem Nunn; and new paperback editions of Norman Mailer’s Ancient Evenings and Tough Guys Don’t Dance.
●
●
Chronic City, Come Alive
In an interview with Jonathan Lethem, the NBCC's Jane Ciabaratti offers, inter alia, a sympathetic reading of Chronic City; both have more affection than Kakutani did for what Lethem calls "the claptrap contraption plot I invented." Meanwhile, The Wall Street Journal, in a flash of inspiration, assigns the book to the estimable Alexander Theroux - the only non-Latin writer who can credibly use the word "prosopographical" in a review. (But, attn editor: "not a jot" twice? in subsequent paragraphs?) A marathon bi-borough reading of the entire novel continues tonight at McNally Jackson.
●
●
When is a Blog Not a Blog?
The New York Review of Books gets into the blog game with...well, it's not a blog, exactly, but then I guess neither are we these days. With The Daily Beast and The Huffington Post also clamoring for the attention of bookish web-surfers, there's more book-focused content online than ever. So why do I find most of it gives me a headache?
If Charlotte Lucas were a cat
"If a modern film version of Pride and Prejudice were produced today, some of the main characters should be gay, Elizabeth and Darcy should not get married at the end, and Charlotte Lucas should be played by a tabby cat." Laura Fairchild reveals her students' ideas for new adaptations of Jane Austen novels while meditating on what Austen can or can't teach us about modern relationships.
●
●
This Side of Criticism
F. Scott Fitzgerald called himself "a moralist at heart," which might be why Kathryn Schulz finds The Great Gatsby to be "aesthetically overrated, psychologically vacant, and morally complacent."
Our young robot overlords
Looks like our robot overlord is going to be a 13-year-old boy: the Turing Test has been passed for the first time by a bot simulating a preteen, making history for artificial intelligence research and teenagers alike. "Our main idea was that he can claim that he knows anything, but his age also makes it perfectly reasonable that he doesn't know everything," researchers explained.