Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”
Dear Alice
Colson Whitehead Heads to London
Remember when Colson Whitehead wrote about his experiences at the World Series of Poker? Well, the Zone One author is back at it again, but this time with dispatches from London’s Olympic Village. I wonder if he’ll share any gossip about Vince Vaughn and the US Women’s Soccer team…
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Adams to Adapt Martin
Amy Adams “has set her sights” on producing and starring in a movie adaptation of Steve Martin’s 2010 novel An Object of Beauty, New York reports.
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The New Yorker on The Late American Novel
The folks at The New Yorker’s Book Bench offer their take at The Late American Novel: Writers on the Future of Books. (Spoiler Alert: Katherine Hepburn gets a shoutout.)
“The void was me.”
Recommended Reading: an excerpt from Amber Sparks and Robert Kloss’s The Desert Places.
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Teenage Daydream
“Although I didn’t realize it at the time, I myself was no stranger to being othered.” Over at The Literary Hub, Carla Bruce-Eddings recounts some reading lessons from her teenage self. For a bit of perspective from the other side, here’s our own Nick Ripatrazone on teaching high school and college.
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Haiti: A Love Poem
Our friend Nelly Lambert, who spent several years in Haiti growing up, offers the country a love poem.
In Which F. Scott Fitzgerald Gets Compared to The Beach Boys’ Brian Wilson
Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald’s oft-neglected commercial short fiction. Fitzgerald, after all, “produced 160 short stories [in his life],” writes Curnutt, “earning a total of $241,453 off the genre — more than $3 million in today’s dollars.” Yet the author didn’t think highly of the work, and even referred to himself as an “old whore” because he wouldn’t quit.
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