Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.
“There has been a growth in the literary depiction of a particular type of friendship, one that has in the past found itself vulnerable to dilution and deflection by the ostensibly more powerful imperatives of heterosexuality and motherhood.” On literary female friendships, from Virginia Woolf to Elena Ferrante and Year in Reading alumna Zadie Smith.
The Poetry Archive: “The Poetry Archive is the world’s premier online collection of recordings of poets reading their work. You can enjoy listening here, free of charge, to the voices of contemporary English-language poets and of poets from the past.”A few days ago the New York Times released its usual 100 book “Notable” list, but now we get the really good stuff: the Times top ten of the year. The big surprise: an appearance by Curtis Sittenfeld’s “calm and memorably incisive first novel,” Prep.Scott and Ed and others have already noted this, but I just got around to reading it: the NYRB piece on our latest National Book Award winner, William T. Vollmann.Also noted by many litblogs, the ever-multitasking Bud has launched a sleek litblog network/aggregator/community: MetaxuCafe. Very cool.