Hannah Means-Shannon shares a dispatch from the Rocky Mountain Conference on Comics and Graphic Novels in which Building Stories author (and Year in Reading alum) Chris Ware discusses his creative processes.
“I didn’t really understand what reading was for. If I wanted a story, the thing to do was to get my grandmother to read it to me. Then listening to her voice, her story-reading voice which always sounded a little incredulous, marvelling, yet full of faith, bravely insistent, and watching her face, its meaningful and utterly familiar expressions—lifted eyebrows, ominously sinking chin, brisk little nods of agreement when, as sometimes happened, a character said something sensible—then I would feel the story grow into life and exist by itself, so that it hardly seemed to me that she was reading it out of a book at all; it was something she had created herself, out of thin air… But one summer I had the whooping-cough, and afterwards I could not go swimming or jump off the beams in the barn or boss my little brother, because by that time he had the whooping-cough himself. My grandmother was off somewhere, visiting other cousins. So I swung on my swing until I got dizzy, and then for no reason in particular I took the Child’s History out of the bookcase in the front room, and sat down on the floor and started to read.” Alice Munro writes about A Child’s History of England, the first book she ever read.
As part of their ongoing efforts to monopolize all kinds of waterfowl, the good folks at Penguin, headed by the editor Jonathan Bell, have dug up old covers from the company’s defunct imprint, Pelican. The Guardian set up a slideshow that lets you scroll through a selection.
“Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class.” Adam Fleming Petty on the marginalization of working class lit.
Over at The Literary Hub, real-life writer Anthony Marra has conducted a hilarious interview with Dana Schwartz, the creative mind behind everyone’s favorite–if uncomfortably familiar–Twitter account, @GuyInYourMFA. Here’s the New York Times review of Marra’s latest novel, The Tsar of Love and Techno.