Hannah Means-Shannon shares a dispatch from the Rocky Mountain Conference on Comics and Graphic Novels in which Building Stories author (and Year in Reading alum) Chris Ware discusses his creative processes.
Chris Ware’s Radical Honesty
Brilliant Friends
“There has been a growth in the literary depiction of a particular type of friendship, one that has in the past found itself vulnerable to dilution and deflection by the ostensibly more powerful imperatives of heterosexuality and motherhood.” On literary female friendships, from Virginia Woolf to Elena Ferrante and Year in Reading alumna Zadie Smith.
Steinbeck the Spy
When John Steinbeck wasn’t busy writing 600-page novels, he might have been a Cold War CIA spy. In 1952, Steinbeck approached the CIA and suggested he could do some spying on an upcoming European trip. “The pace and method of my junket together with my intention of talking with great numbers of people of all classes may offer peculiar advantages,” he wrote to an agent.
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How Should an Interview Be?
My Millions social media teammate Emily M. Keeler is probably too humble to write a Curiosity about her kickass interview with Sheila Heti. But not I, dear readers! Not I.
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Language is a Passport
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
Garth Greenwell Recommends
Garth Greenwell has a reading recommendation for you. Check out an excerpt from Jonathan Lee’s High Dive at Electric Literature. Pair with our review of Greenwell’s What Belongs to You.
The Modern Office
Our own Lydia Kiesling writes for The New Yorker about workplace fiction by women. As she puts it, “If the author is a woman, workplace fiction is also domestic fiction, easily disguised as ‘chick lit,’ ‘girlfriend literature,’ or even ‘erotica.’ Regardless of the packaging, these books provide mapping, contextualizing, and rich illustration of women’s working lives.” For more of her writing, check out her essay on the San Francisco housing market for The Millions.