Writing for NPR’s Book News round-up, Annalisa Quinn steers readers toward a recently released FBI file alleging that Mexican novelist Carlos Fuentes was in fact a “communist writer” with a “long history of subversive connections.” In her update, Quinn shares some counter-arguments from Fuentes’s colleague and biographer, Julio Ortega.
“Most writers … don’t ask questions of a journalist,” writes How to Read a Novelist author John Freeman. But what of those that do? Over the course of a fifteen year career, Freeman has found that “what the novelists asked of me told me [a great deal] about them,” and that a big problem with the standard format for author interviews, after all, is that “the conventions of the interview deprive us of one thing a novelist does quite a bit, which is ask questions.” (Bonus: Freeman will be in conversation with Jennifer Egan Thursday night at McNally Jackson.)
Among the raft of news stories that came out about Facebook recently, you may have missed the company’s quiet revolution in grammar, signified by its adoption of the much-debated singular “they.” If thinking about this change makes you queasy, just remember that singular “they” has been around since the days of Chaucer. (Related: Fiona Maazel on bad grammar.)
Out this week: City on Fire by our own Garth Risk Hallberg (whom we interviewed yesterday); Thirteen Ways of Looking by Colum McCann; Upright Beasts by Lincoln Michel; The Mountain Shadow by Gregory David Roberts; Carrying Albert Home by Homer Hickam; And West is West by Ron Childress; and Eyes by William H. Gass. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem.” At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.