Writers finally have a justification for their $4.00 latte habit. Even though coffee might be a detriment to imagination, the whirring of blenders and cafe chatter can boost creativity. If you want the inspiration jolt without the java, listen to Coffitivity’s recording of cafe ambient noise.
The second issue of Little Brother Magazine (edited by Millions emerita and Toronto resident Emily Keeler) features excellent fiction about scandal-plagued mayor Rob Ford. At The Atlantic Cities, Mark Byrne talks with Emily, who describes herself as “addicted” to the drama surrounding the mayor.
“Others may prefer to will themselves into James Bond’s dinner jacket and Aston Martin DB4, but I’d rather slip into a !Kung hunter’s penis sheath and heft his hunting spear.” At The Guardian, Will Self explores his odd preference for deeply uncomfortable comfort reading.
“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.