Since 2010, Russian publishing professionals estimate that “as many as 20% of [all] Russian book stores have closed.” Each year, they fear, the number of “dedicated readers in Russia declines by 2%.” To remedy these trends, the Russian government has recently approved a $100 million stimulus package for the nation’s book industry – running the gamut from investment in new bookstores, to tax incentives for small presses, and also to more international book fairs – to be dispersed through 2018. Recently, Emily Parker noted in The New York Times that Russia’s literary problems might be blamed on its lack of “good protest literature.”
In 2004, much of the literary world celebrated the hundredth anniversary of Bloomsday, aka the setting of James Joyce’s Ulysses. This year, we’re celebrating the hundredth anniversary of Dubliners, which our own Mark O’Connell once described as “a collection which writers of the short story form seem basically resigned to never surpassing.” At The Paris Review Daily, Skippy Dies author Paul Murray writes about his history with the book. You could also try to pass our eccentric James Joyce quiz.
The Common will be celebrating its first year of publication later this month at NYU’s Carter Journalism institute. The celebrations will include a reading from Stephen O’Connor and a performance by the Dog House Band, aka that literary rock group consisting of Sven Birkerts, James Wood, and other writerly musicians.
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
“Everywhere you turn, are you surrounded by fools, by boring nonentities, by faceless masses and foes and suckers and, indeed, jerks?” If so–as this insightful if somewhat confidence-shattering piece at Aeon suggests–the jerk may be you.