Annie Dillard’s The Writing Life might well be the only book in history to draw comparisons between creative writers and stunt pilots. At Brain Pickings, Maria Popova calls attention to a description of Dave Rahm, the real-life pilot who inspired Dillard’s analogy.
Hypocrisy is a funny thing. In theory, we all dislike it, seeing an ability to live by one’s own morals as a virtue in itself, but the fact that everybody breaks their own rules from time to time means that our aversion to hypocrisy is a little bit… hypocritical. On the Harper’s blog, Clancy Martin dissects the meaning of the fact that “we’re all hypocrites.”
“You could call Zero K a grand summation of DeLillo’s career themes and prose stylings. You could also call it recycling.” Tony Tulathimutte reviews Don DeLillo’s “techno-prophetic novel,” Zero K. To revisit DeLillo’s prior work, check out David Rice’s review of The Angel Esmeralda.
As if the guy needs any additional distractions to keep him from writing the seventh (or eighth!) books in his Song of Ice and Fire series, George R. R. Martin recently decided to join Twitter. If he ends book six with ¯\_(ツ)_/¯, then I presume you’ll know why.
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.
As part of his research for his recent treatise on office life, Cubed, n + 1 editor Nikil Saval looked back on his own years in an open office. In an interview with Sara Scribner, he talks about his growing awareness that it wasn’t good for his health: “It was sociable in some good senses, but also mostly not a pleasant place to be.”