Annie Dillard’s The Writing Life might well be the only book in history to draw comparisons between creative writers and stunt pilots. At Brain Pickings, Maria Popova calls attention to a description of Dave Rahm, the real-life pilot who inspired Dillard’s analogy.
"Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain," Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.
On the infinite recreation and reimagining of Finnegans Wake, a book that was "crying out for the invention of the web, which would enable the holding of multiple domains of knowledge in the mind at one time that a proper reading requires," from The Guardian.
A new laureateship award worth €150,000 was created by Ireland's Arts Council in conjunction with University College Dublin and New York University. The award will be given to "an outstanding Irish writer of fiction" with hopes that the author will "promote [Irish] literature around the world" and "inspire the public to engage with the best Irish fiction." The first appointment will be made in 2014.
Between the 40 Towns project organized by Jeff Sharlet’s Dartmouth students and the newly unveiled Vanishing Point project from Duncan Murrell’s students at Duke’s Center for Documentary Studies, it seems abundantly clear that college students are better at putting together web publications than 99% of established publishing outfits. Begin your tour with Christine Delp’s look at a blind man who makes his own martinis, and then check out other stories such as Ge Jin’s photographic essay on Chinese university students.