“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
Now that the summer blockbusters are winding now, we can all focus on book-to-film adaptations. Kirkus Reviews has a list of new books that would make for great movies, some of which, like Christopher Beha's Arts & Entertainments, The Millions has reviewed. Pair with our dream casting of a film version of The Goldfinch.
The book bloggers are all waiting for the announcement of the National Book Award winner, and I, too, have to wonder what will happen once we know the recipient of the award in the fiction category. These women have gotten a lot of grief from folks who think they shouldn't be there. What I'm wondering is will the NY Times and all the rest end their crusade and graciously accept the winner, or will the winner, whoever she may be, have to bear more criticism on her own. We shall see. In the meantime I have dug up some old links that are, unlike all this NBA stuff, not very timely, but they are good, so I wanted to share them with you:First, take a look at Jonathan Yardley's fantastic discussion of the American novels that are, to his mind, the best of the last 125 years. He calls it "State of the Art."The discussion among my fellow book bloggers about the Paris Reviews magnificent decision to put all of their interviews online has got me thinking about the recently departed George Plimpton, which is why I was happy to find this wonderful interview that he conducted with Truman Capote about In Cold BloodFinally, there are two types of people in this world... well, not really, but in this post from earlier this year, Michael at 2Blowhards explains the difference between movie people and book people and a lively discussion follows.Well, that's enough from the old bookmarks file. Expect more timely news sometime soon.
"When John Green told the crowd that, though he was proud of the movie, it wasn’t his movie, someone shouted, 'But it’s your plot, John!'—which marked the first time I’d ever heard heckling about the nature of authorship." Green, author of YA bestseller The Fault in Our Stars, is the literary hero of teenage girls, and nerdfighter hero to millions. After you read the excellent profile at The New Yorker, consider the The Millions' own review.
Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”