“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
“You are all going to die”
The House of Black Is For Sale
Joining the Order of the Phoenix might cost you. The Movoto Real Estate blog priced 12 Grimmauld Place at $3,685,500 (we’re unsure of the price in galleons, gnuts, and sickles.) In the past, the company has estimated prices for Hogwarts and The Burrow. Evidently, you need as much money as J.K. Rowling to live in the wizarding world.
Listening to Poems
At The Rumpus, Darcie Dennigan pens a strange and beautiful review of G.C. Waldrep’s new collection of poetry, Archicembalo: “I dreamt that G.C. Waldrep was offering me a tumbler of Pepsi, and amid the soda bubbles were many pills.”
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Literary Friendships
Emily Smith writes on literary friendships throughout history at Ploughshares.
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Writerly Humility
“I couldn’t tell if a poem I was writing would come to anything or not until the last line was there. That’s always been my method. I may have revised less than some other poets, but I think I write as much crap as anyone.” Kaveh Akbar interviews Sharon Olds about inspiration, contemporary poetry, and rejection letters for Divedapper. Pair with this Millions piece, featuring seven editors looking back on their rejection styles.
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Borders Officially Closes
The sale of Borders was officially approved yesterday. To make sense of the entire fiasco, Melville House’s Dennis Johnson has a compelling write-up. For most book lovers, their final sale is bittersweet.
Icon and Author
Louis Menand, Thessaly La Force, Amelia Lester, and David Haglund have come together to discuss the influence of literary powerhouse and cultural icon Joan Didion in The New Yorker’s Out Loud Podcast. Our own Michael Bourne calls Didion America’s Truth Teller in his review of her biography.
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Hearing the Voices
“Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not … When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone.” This excerpt from Jillian Keenan’s Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
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