Peter Menzel and Faith D’Aluisio photographed 30 families in 24 countries, each time surrounding their subjects with their weekly food purchases. Their work was collected in their What the World Eats photo album, but you can take a look at some of their pictures over here.
"This is how he justified what he did even as he knew what kind of parent he’d become, the kind that used to make him gag as recently as two months ago. The ones who blithely assumed their online friends were gluttons for punishment. Here’s my baby lying on his back! And here’s my baby also lying on his back! And how about this one: blurry baby on his back! Good God, the vanity of it all, the epic self-centeredness. He knew all this, and still he uploaded eleven pictures of Brian." An excerpt of Victor LaValle's new novel The Changeling. (You could also read our interview with the author from last year.)
"It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude." In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis's essay on the same topic.
"Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill." The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked--and tied, moreover, to mental illness--based in part on a sample of students at Iowa Writer's Workshop. Pair with another essay on creativity and the "touch of madness" from our own archives.