Millions staffer Michael Bourne has new fiction in the latest issue of The Cortland Review, and you can check out his story “San Francisco, Summer 1990” on their website.
“We were both crying when I left”
The Real-Life Inspiration behind Hugo’s Quasimodo
The Telegraph reports that a new discovery appears to reveal that Quasimodo, the seemingly mythical hero of Victor Hugo’s The Hunchback of Notre Dame, may have been based on a real-life figure.
Late American Novel Roundup
Coverage of The Late American Novel: Writers on the Future of Books (do you have your copy yet?) has been coming in at a steady clip: NYC publication CityArts takes a look; yours truly interviewed on The Marketplace of Ideas; Edward Champion offers a hasty response; the my co-editor sits down with his hometown paper.
A Chance for Closure
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung’s Millions essay on literary endings.
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Sprechen?
Recently, a Czech linguist named Jakob Murian came up with an estimate of the number of languages your average European speaks. The study is complicated, however, by the question of how much you need to know to really understand a given language. At the LRB’s blog, Glen Newey asks: are you fluent when you can order a beer, or when you can translate Virgil? Pair with: Abigail Rasminsky on learning to speak German.
A Novel Idea for The Life of Pi’s Film Adaptation
In lieu of an official trailer, the producers of the film adaptation of Yann Martel’s The Life of Pi have decided to release entire (but short) scenes of the movie one at a time. Here’s the first installment. After watching it, you may want to check out some other tiger literature, and luckily Nina Martyris can help you out with that.
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The Signature of Style
“They say ‘kill your darlings,’ but I think darlings are your voice — your favorite parts, the parts you’d admire even if you didn’t write them. Why destroy what you love? If you feel that strongly about something you’ve written, pay attention!” Elisa Gabbert pens Electric Literature‘s “Blunt Instrument” column, which this month involves how to find one’s style as a writer. And for more scrivening advice, see our own columnists Swarm & Spark on the best way to seek feedback on your work,sending a memoir into the world, and whether writing a novel will jeopardize your mental health.
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Laura Amy Schlitz Interview
Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.
Translation Matters
The Guardian reports that translated literary fiction sold almost twice as much as English-language fiction in the UK last year.
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