At the Poetry Foundation’s website, Ruth Graham tackles a strangely ubiquitous question: how does a couple go about choosing a wedding poem? (For context, it helps to keep the following quote in mind: “the aesthetics of [a personal] wedding, at least for couples of a certain age and posture, are practically set in stone: indie pop music, mason jars, white Christmas lights, wildflowers.”)
Out this week: Bardo or Not Bardo by Antoine Volodine; My Mrs. Brown by William Norwich; The Regional Office Is Under Attack! by Manuel Gonzales; Mount Pleasant by Patrice Nganang; The Houseguest by Kim Brooks; and Ear to the Ground by David L. Ulin and Paul Kolsby. For more on these and other new titles, go read our Great 2016 Book Preview.
Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound's "Make it New" for The New York Times Books Bookends.
Edith Wharton is known as a novelist but she was also a wonderful hostess, whose guests (including Henry James) remember her as "kindness and hospitality incarnate." Kate Bolick has turned Wharton's life-long attempt to master “the complex art of civilized living" into an entertaining guide, "The Guesthouse of Mirth," just in time for those last few summer parties. Pair with Roxana Robinson's reflections on Wharton's life and works, including the original The House of Mirth.
"This test protocol was designed so X-ray operators could have a clearer view of carry-on baggage at checkpoints. Like many tests TSA performs at checkpoints around the country, we collected valuable data but, at this time, are no longer testing or instituting these procedures." Inside Higher Ed reports that the U.S. Transportation Security Administration has abandoned a program that required passengers to remove books from their carry-on luggage during security screenings. And we have just the reading recommendations for flying for you, too.
Hungarian author and 2002 Nobel Prize winner Imre Kertész announced his retirement, reports Nicolas Gary in the French publication ActuaLitté. (Link to Google's translation into English.) As a "gesture of reconciliation" the Fatelessness author and Holocaust survivor has decided to give nearly 35,000 of his papers to the Academy of Arts in Berlin. Meanwhile, Kertész has recently had several of his shorter works released in handsome Melville House editions. (h/t Hari Kunzru)