After winning a $100,000 grant from the Andy Warhol Foundation, what do you do for an encore? How about staging “fifty days of lectures, discussions, and debates” about what the future ought to look like? How about enlisting the likes of Laurie Anderson, Samuel Delany, Rachel Kushner, and Norman Rush as ringmasters? How about having the entire thing take place in structures designed by artists José León Cerrillo and Adrián Villar Rojas? Triple Canopy‘s “Speculations” occupies MoMA’s P.S. 1 this summer
"One of the most rewarding parts of reading Jane Eyre as a thirteen-year-old Midwesterner is taking a wild shot in the dark at the meaning of all of the untranslated French passages." Mallory Ortberg at The Toast takes a shot at translating some of Jane Eyre's trickier passages. Bonus: here are a bunch of reasons why Mr. Rochester is a creep.
"The best thing I ever do for my writing is to take a walk alone in the woods behind our house. Nothing else gets my writing juices flowing so well. And yes, I think that I absolutely need more quiet in our current fractured world." For Poets & Writers, novelist Leesa Cross-Smith interviewed fellow writer Silas House about quiet books and the importance of nature in the writing process. Pair with: our own Emily St. John Mandel on the pleasures of quiet books.
In The New York Times, Anne Lamott (of Bird by Bird fame) reveals the one book she’d recommend to President Obama. It might not surprise many readers of her memoir that her choice -- Anti-California: Report from our First Parafascist State -- is a nonfiction book by her father.
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”