After winning a $100,000 grant from the Andy Warhol Foundation, what do you do for an encore? How about staging “fifty days of lectures, discussions, and debates” about what the future ought to look like? How about enlisting the likes of Laurie Anderson, Samuel Delany, Rachel Kushner, and Norman Rush as ringmasters? How about having the entire thing take place in structures designed by artists José León Cerrillo and Adrián Villar Rojas? Triple Canopy‘s “Speculations” occupies MoMA’s P.S. 1 this summer
Great posts over at Sarah's blog and at M.J. Rose's about where books sell the most copies (think Wal Mart) and why Amazon rankings don't mean much in the way of book sales. (via Tingle Alley)They've announced the nominees for the Quills Awards - an attempt to build a book-focused version of the typical, bloated TV awards show. The nominees seem to be stale mix of award-winners and nominees (NBA, Pulitzer, etc.) from the last 18 months and middlebrow bestsellers that aren't particularily literary, but aren't outright trash either. Will anybody watch this? I mean, I like books, but yawn.For the last two weeks, Harry Potter #6 has "been the top-seller in every single one of The Book Standard's 99 local-area charts. But this week, a glimmer of hope appeared for other authors, as The Book Standard charts registered a change - one single change." How a "conservative talk-radio personality" unseated Harry Potter in the Bristol-Kingsport-Johnson City, Tennessee, area.Godzilla pauses for a moment before his rampage. Click it. It's funny.
A new Pew Research Center survey finds that the share of Americans who have read a book in the last 12 months – 73% – has remained largely unchanged since 2012. And when people do reach for a book, it is much more likely to be a traditional print book than a digital product. See also our essay on the persistence of physical books and, of course, The Late American Novel: Writers on the Future of Books, edited by our own C. Max Magee.
A new kind of book review: 5 artists interpret and critique literature through works of visual art.
"Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America." Stephen O'Connor's poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O'Connor a platform from which to explain his idea.