“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.
The Morning News Tournament of Books is almost here, and to stoke our excitement, the editors drew up this neat-looking circular bracket. If you squint at the top left, you’ll see our own Edan Lepucki, who’s judging The Round House by Louise Erdrich and The Fault in our Stars by John Green.
You may have not known there’s a national arm wrestling championship. Joshua Davis found out when he saw an eye-catching flyer. When he found himself drafted onto Team USA, he turned the experience into his first big magazine piece. At The Rumpus, an interview with the author of Spare Parts.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.