Alcohol. Promiscuity. LSD. All three are said to inspire creative minds. And if Sarah Dunant’s well-researched new novel, Blood and Beauty, is credible, we can add a new one, syphilis, to the list. (Wait, what?)
A translation guide to writing workshops that we’re definitely printing out and bringing along to our next one. “Sometimes when people say ‘show, don’t tell,’ what they mean is that they find the characters sympathetic, the story is moving forward, and they even like the conflict, but they just don’t like the way you wrote it. What they’d really like to do is steal the idea and write it themselves, because honestly, they would do a much better job.”
Karl Taro Greenfeld‘s story collection, NowTrends, is out this week. For a sample of Greenfeld’s writing, I recommend checking out “Tincture — Part One” at Five Chapters. It’s also worth noting that several other Short Flight / Long Drive books, such as Adam Novy‘s excellent Avian Gospels, are now available as e-books for the first time.
“This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives.” Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
It’s been a full week, which means you’ve had to time to digest the half-season finale of AMC’s Mad Men. But before you dive into the works on our Mad Men Reading List while awaiting the premiere of the next half-season, you should take some time to read Phillip Maciak’s incredible recap and analysis of “Waterloo.”