Object narrative (n): a story told through meditations on various physical objects. Examples include Edmund de Waal’s The Hare with Amber Eyes; Neil MacGregor’s A History of the World in 100 Objects; and Paula Byrne’s The Real Jane Austen: A Life in Small Things.
“Sitting there in my thrift-store jacket and boa with my legs spread, I was a study in cubism: lips mouthing well-bred earnest truisms about postcolonial theory, hand guiding their hand up under my skirt, it was, on a deep level, hilarious.” Chris Kraus writes about working New York’s topless hustle bars at n+1.
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
“I’m not paranoid, I’m really not.” The Washington Post has a profile of the so-called American Redoubt, an area of the Pacific Northwest populated by doomsday preppers. Pair with our own Emily St. John Mandel‘s reading list of five can’t-miss apocalyptic narratives.
What’s going on in Hong Kong? Last week, a man by the name of Lee Bo became the fifth member of the Hong Kong-based publishing house Mighty Current, which specializes in provocative tomes about Beijing leaders, to vanish mysteriously. A few of those missing have been in sporadic communication with worried family members, letting them know in opaque terms that they are “helping with an investigation.”