Object narrative (n): a story told through meditations on various physical objects. Examples include Edmund de Waal’s The Hare with Amber Eyes; Neil MacGregor’s A History of the World in 100 Objects; and Paula Byrne’s The Real Jane Austen: A Life in Small Things.
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.
How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
With college football season officially upon us, I’d like to take some time to recommend some books and articles on the subject of my favorite game. For starters, check out Nick Ripatrazone’s Millions piece about Don DeLillo, sports scandals, and growing up with the game. Next, Taylor Branch’s quintessential ebook on the NCAA’s cartel-like stranglehold on the sport deserves a read from anybody who’s ever participated in or watched college athletics of any kind. (You can get a good idea of the book from his Atlantic piece, too.) And lastly, I recommend checking out John U. Bacon’s latest book, Fourth and Long, which examines how “money, influence and power haunt the league.” (You may recall Bacon’s name from when I reviewed his earlier book on college football last year.)
Anthony Domestico interviews C. E. Morgan about her second novel, The Sport of Kings, one of the most anticipated books of 2016. As she puts it, “Every aspect of the novel is–or should be—an arrow pointed towards its ultimate meaning, or a multiplicity of possible meanings.”