Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?
The Heat-Packing Poet
Get Your Rare Books Here
Last week the literary web was abuzz with the news that the mysterious 15th-century Voynich Manuscript would be published in a limited run; but why wait for that when you can see the manuscript yourself online now?
Writerly Obligations
Do writers owe their readers engagement on social media? “Our sole obligation to readers is to write the best books that we possibly can,” our own Emily St. John Mandel told The Guardian. Pair with our piece on the best of literary Twitter.
“Principally & Unaccountably Strange”
Murray Farish‘s debut collection, Inappropriate Behavior, includes tales of fictionalized or alternative history that incline toward the surreal. He discusses the “principally and unaccountably strange” with Evelyn Somers, who has written about his work before, at Bloom. Fancy yourself more weirdness? Head to Weird Fiction Review curated by Jeff VanderMeer, whose Southern Reach trilogy was just released in one volume.
Very, Very Direct
Ta-Nehisi Coates isn’t exactly sure why white people love his book so much. It is indisputable that they do love it, though; Coates’ Between the World and Me is a runaway bestseller and he is also the recipient of one of this year’s MacArthur Foundation “Genius grants.”
Personal Space
Sometimes, in a narrative, it’s necessary to focus on one scene, in one place, for as long as one possibly can. In his new graphic novel, Here, Richard McGuire takes this to an extreme, setting the entirety of the story in one corner of a character’s living room. In the Times, Dwight Garner reviews the new book.
“на один процент” is “one percent” in Russian
Apropos of yesterday’s round-up of Russian social unrest: the children of Russia’s 1%.