Tonight! Celebrate 3 years with The Common. You can still buy tickets to this elegant lit party here. André Aciman reads from his latest novel Harvard Square.
The Common in the City Party
Utne Reader Controversy
The Utne Reader offices are moving from Minneapolis to Topeka, and the magazine’s not taking any current employees with it.
The aMTrAk Residency
Remember that time Amtrak offered a 10-day train residency, and the internet experienced a collective freakout because trains are literary catnip, and then we found out it was kind of a scam? Barnard Zine Library does, too. In honor of that cultural moment, they recently sponsored an “MTA Residency” that, while less glamorous, has already yielded beautiful work.
●
●
“Here’s to you, old dears. You got this right, every one of you.”
Recommended Reading: Roger Angell describes life in the nineties. His nineties.
●
●
Are The Bad Sex Awards… Bad?
With news of this year’s winner fresh off the press, it’s easy to see how the Literary Review’s “Bad Sex Awards” are an annual delight to many readers (as well as an annual horror to several authors). But are they also counter-productive? As one former “winner” of the award asks, is the Bad Sex Award “anything more than a sort of moral outrage dressed up as a quest for high standards in writing?”
●
●
The Twilight Generation
What happens when you grow up reading Harry Potter, Twilight, and Fifty Shades of Grey? At The Morning News, five women discuss what it meant to come of age reading these books. “It’s more socially acceptable for a guy to watch porn than it is for a twentysomething woman to read these books. There is something that bothers me about that,” one women said.
Working-Class Heroine
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.