The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.
The Commitment-phobe’s Genre
James Frey’s Fiction Factory
From New York Magazine, a harrowing piece on “Full Fathom Five,” the young adult fiction factory spearheaded by James Frey, and the controversial contracts young writers are asked to sign.
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“The Migrant is Not A Metaphor”
Over at The New York Times, Year in Reading alum Parul Sehgal reviews two books about migration, A Life Apart by Neel Mukherjee and The Year of the Runaways by Sunjeev Sahota.
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OYC to Print
Selections from Open Yale Courses are headed to print. As program director John Donatich explains, “At first glance, you might look at it skeptically and ask why would anybody pay for something that you can get for free. But on second glance you realize that it’s actually not the same thing at all.”
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Critterati
Happy Halloween! At the New Yorker, the winners of the dress your pet as a literary character contest. Don’t miss the honorable mentions (I’m partial to the feline Moby Dick).
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Last of the Mohicans, First of the Republicans
At Salon, Andrew O’Hehir dubs Lincoln “a tremendous accomplishment.” (It probably doesn’t hurt that its director is Steven Spielberg.)
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Immigrant Song
Why are Americans so enamored by immigrant fiction but rarely read anything in translation? David Naimon and Gary Shteyngart discuss this and more in the latest Between The Covers podcast. Shteyngart’s latest book, Little Failure, was part of our 2014 book preview.