Did Baz Lurhmann’s Great Gatsby adaptation leave you feeling a little disappointed? Then consider Kate Kelsall’s short list of “utterly compelling cinematic adaptations” to be just what the doctor ordered.
“The Book Was Better.” Or Was It?
The Purpose of Punctuation
Recommended Reading: Artist Nicholas Rougeux removes all the letters in a text and meditates on the punctuation that is left on the page.
●
●
The Sorrows of Lot
At The Rumpus, Kate Angus argues that salt, far from being simply a pillar of the spice trade, is in fact “the physical manifestation of the basic triad of our lives: love, work, and grief.”
Lev Grossman on Aspiring Writers
Lev Grossman offers some words of encouragement for aspiring writers: “because it turns out that talent, whatever that is, and that glowy aura, are only part of the picture.”
●
●
Twenty Years of Jest
Recommended Reading: Tom Bissell reflects on David Foster Wallace’s Infinite Jest twenty years after its publication. You could also read our review of The David Foster Wallace Reader.
2 comments:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
I Am Large
What if I were to tell you that only half of you is actually you? A new book by Ed Yong takes a look at the human body and the microbial stowaways that make up most of us: “Reader, as you read these words, trillions of microbes and quadrillions of viruses are multiplying on your face, your hands and down there in the darkness of your gut. With every breath you take, with every move you make, you are sending bacteria into the air at the rate of about 37 million per hour — your invisible aura, your personal microbial cloud. With every gram of food you eat, you swallow about a million microbes more.”
●
●
Everything I Say
Don’t Suck, Don’t Die: Giving Up Vic Chesnutt by Kristin Hersh is a downright mesmerizing elegy to the eclectic singer-songwriter. Part idiot-savant, part deliberate curmudgeon , Vic Chesnutt (who Rolling Stone has called one of the greatest songwriters of all time) was notoriously difficult to spend a lot of time around. Hersh stopped by Electric Literature for an interview about the book and about losing her dear friend Vic. Bonus: for anyone unfamiliar with Chesnutt’s work, this video will get you close.
●
●
“He’s too good-looking”
Surely you’ve heard the hype by now. Surely you’ve seen someone blushing and shifting their eyes askance while reading this book in public. Well, now you can get a taste of what the fuss is all about. You can read the beginning of Alissa Nutting’s Tampa courtesy of Dzanc Books and The Collagist.
●
●
Unfortunately, no mention of Blade Runner.
It’s tempting to make comparisons between a novel and its movie adaptation, but print and film are two disparate media. Each can do what the other cannot. Each has to be taken on its own terms, with its strengths and limitations. More on that here, with examples from Kazuo Ishiguro’s ‘The Remains of the Day,’ Yann Martel’s ‘Life of Pi’ and others: http://www.praguerevue.com/#!stirring-words-moving-images-when-novels-become-movies/cug1
Speaking of ‘The Great Gatsby,’ here is Robert Towne, one of Hollywood’s most revered script writers (Chinatown, Shampoo etc) on why he steered clear of screen adaptations of Gatsby: https://twitter.com/ScottFeinberg/status/316836677664534528/photo/1